A series of ghost monotypes on Asian papers, these prints collide the intense mechanical violence of the etching press with delicate, artisanal sheets of paper made from plant fibers. A whole, flat sheet bears the marks of its crushed double; a negative impression of a unique, interdependent system no longer present. Its complex forms, recalling human trash and interdependent ecologies, sit in tension with the basic geometric signals of human activity.
[Negative] i, Monotype on kozo, 2018
[Negative] ii, Monotype on kozo, 2018
[Negative] iii, Monotype on kozo, 2018